Galleries > Mixed Media

Bettie Paige
Acrylic and gold leaf on velvet and wood
15" x 13"
1999
Anna-Nicole
Acrylic and gold leaf on velvet and wood
15" x 13"
1999
Betty Boop
Acrylic and gold leaf on velvet and wood
15" x 13"
1999
Catwoman
Acrylic and gold leaf on velvet and wood
15" x 13"
1999
Frida Kahlo
Acrylic and gold leaf on velvet and wood
15" x 13"
2000
Gertrude and Alice B.
Acrylic and gold leaf on velvet and wood
15" x 13"
2000
Wonder Woman
Acrylic and gold leaf on velvet and wood
15" x 13"
1999
Pammy
Acrylic and gold leaf on velvet and wood
15" x 13"
2000
Poe
Acrylic and gold leaf on velvet and wood
15" x 13"
2000
Tammy-Faye
Acrylic and gold leaf on velvet and wood
15" x 13"
1999
The Mick
Acrylic and gold leaf on velvet and wood
15" x 13"
2000
Gamera
Acrylic on circuit board and wood
12" x 10"
1995
Godzilla
Acrylic on circuit board and wood
12" x 10"
1995
King Ghidrah
Acrylic on circuit board and wood
12" x 10"
1995
Rodan
Acrylic on circuit board and wood
12" x 10"
1995
The Book of Paul
Acrylic, gold leaf, and glitter on macaroni, velvet, and wood
18" x 24"
2001
Sockmonkey Jesus
Acrylic, gold leaf, and glitter on macaroni, velvet, and wood
24" x 18"
2001
The Gospel According to Luke
Acrylic, gold leaf, and glitter on macaroni, velvet, and wood
18" x 24"
2001
Sockmonkey Madonna and Child
Acrylic, gold leaf, and glitter on macaroni, velvet, and wood
24" x 18"
2001
The Muses
Acrylic and gold leaf on canvas and wood
56" x 42"
1993
The Real Reason Whites and Coloureds Shouldn't Mix
Acrylic, gold and silver leaf, and googly-eyes on velvet and wood
37" x 29"
2002
Power Ranger Matrushkas
Acrylic on wood
7" - 3/4"
2006
Cheeto Seahorse Taxidermy Display Case
Googly-eyed Cheeto with acrylic and gold leaf on wood
10" x 8" x 3"
2010

The beginnings of my experiments in mixed media seemed a natural extension of my work on wood. Now, rather than carving into, or building onto the surface, I selected materials that introduced inherently interesting qualities. Velvet was my favourite. Not only did its association with junk art or kitsch tie into my exploration of pop culture, but it presented a sumptuous base upon which to work. Depending on the fabric's nap, the material would either absorb, or reflect light. That richness, in concert with gold or silver leaf, brought an elegance not always congruent with my choice of subject. And that conflict imbued the work with an interesting energy.

Painting on macaroni simply seemed like a fun idea. Although reasonably successful, it appeared to have reached the apex of its popularity with the pack of mice that ate one of the delicious pictures.

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